Bardamu

Slab Serif

Reverse Contrast

Display Font

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Font Information

Bardamu is a slab serif font family that features Upright, Italic, and Reverse Italic font styles. With its positive vibes and friendliness, Bardamu is perfect for a wide range of design projects, including packaging, branding, web design, and editorial design. Bardamu offers endless creative possibilities thanks to its lively character and variable family structure. Bardamu shines as a display font and works well for large titles and headlines. It effortlessly adapts to your design needs and adds a unique touch of personality, whether you’re aiming for a bold statement or a more subtle, approachable feel.

Bardamu is a slab serif font family that features Upright, Italic, and Reverse Italic font styles. With its positive vibes and friendliness, Bardamu is perfect for a wide range of design projects, including packaging, branding, web design, and editorial design. Bardamu offers endless creative possibilities thanks to its lively character and variable family structure. Bardamu shines as a display font and works well for large titles and headlines. It effortlessly adapts to your design needs and adds a unique touch of personality, whether you’re aiming for a bold statement or a more subtle, approachable feel.

Bardamu is a slab serif font family that features Upright, Italic, and Reverse Italic font styles. With its positive vibes and friendliness, Bardamu is perfect for a wide range of design projects, including packaging, branding, web design, and editorial design. Bardamu offers endless creative possibilities thanks to its lively character and variable family structure. Bardamu shines as a display font and works well for large titles and headlines. It effortlessly adapts to your design needs and adds a unique touch of personality, whether you’re aiming for a bold statement or a more subtle, approachable feel.

25 Fonts

1 Variable Font

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Type Testers

223
Axes
Features
1.0
0.000

Woodcutting

223
Axes
Features
1.0
0.000

Woodcutting

223
Axes
Features
1.0
0.000

Woodcutting

223
Axes
Features
1.0
0.000

Candlesticks

223
Axes
Features
1.0
0.000

Candlesticks

223
Axes
Features
1.0
0.000

Candlesticks

223
Axes
Features
1.0
0.000

Respondents

223
Axes
Features
1.0
0.000

Respondents

223
Axes
Features
1.0
0.000

Respondents

223
Axes
Features
1.0
0.000

Cauliflowers

223
Axes
Features
1.0
0.000

Cauliflowers

223
Axes
Features
1.0
0.000

Cauliflowers

223
Axes
Features
1.0
0.000

Autographic

223
Axes
Features
1.0
0.000

Autographic

223
Axes
Features
1.0
0.000

Autographic

40
Axes
Features
1.1
0.000

The Globe Theatre, famously associated with William Shakespeare, was originally built in 1599 in London. This open-air playhouse had a capacity to hold around 3,000 spectators. The design of the Globe, with its circular shape and thrust stage, created an intimate relationship between the actors and their audience.

30
Axes
Features
1.1
0.000

The Globe Theatre, famously associated with William Shakespeare, was originally built in 1599 in London. This open-air playhouse had a capacity to hold around 3,000 spectators. The design of the Globe, with its circular shape and thrust stage, created an intimate relationship between the actors and their audience.

24
Axes
Features
1.2
0.000

The Globe Theatre, famously associated with William Shakespeare, was originally built in 1599 in London. This open-air playhouse had a capacity to hold around 3,000 spectators. The design of the Globe, with its circular shape and thrust stage, created an intimate relationship between the actors and their audience.

40
Axes
Features
1.1
0.000

The architecture of the Globe featured a pit for standing spectators, known as “groundlings,” and galleries for wealthier patrons. This egalitarian model helped create a space for people from all walks of life to share in the art of performance and enjoy their leisure time in a laid-back theatrical setting.

30
Axes
Features
1.1
0.000

The architecture of the Globe featured a pit for standing spectators, known as “groundlings,” and galleries for wealthier patrons. This egalitarian model helped create a space for people from all walks of life to share in the art of performance and enjoy their leisure time in a laid-back theatrical setting.

24
Axes
Features
1.2
0.000

The architecture of the Globe featured a pit for standing spectators, known as “groundlings,” and galleries for wealthier patrons. This egalitarian model helped create a space for people from all walks of life to share in the art of performance and enjoy their leisure time in a laid-back theatrical setting.

40
Axes
Features
1.1
0.000

The tradition of the Globe and outdoor theaters continues to thrive in many parts of the world today. These venues often embrace natural surroundings, using the sky and elements as part of the performance. Some theaters have retractable roofs, allowing for performances regardless of weather.

30
Axes
Features
1.1
0.000

The tradition of the Globe and outdoor theaters continues to thrive in many parts of the world today. These venues often embrace natural surroundings, using the sky and elements as part of the performance. Some theaters have retractable roofs, allowing for performances regardless of weather.

24
Axes
Features
1.2
0.000

The tradition of the Globe and outdoor theaters continues to thrive in many parts of the world today. These venues often embrace natural surroundings, using the sky and elements as part of the performance. Some theaters have retractable roofs, allowing for performances regardless of weather.

40
Axes
Features
1.1
0.000

In contrast, thrust stages, like the one in the Globe, extend into the audience, making the experience more interactive and dynamic. This shift in design reflects the changing relationship between actors and spectators, as well as the desire to break the “fourth wall” in modern productions.

30
Axes
Features
1.1
0.000

In contrast, thrust stages, like the one in the Globe, extend into the audience, making the experience more interactive and dynamic. This shift in design reflects the changing relationship between actors and spectators, as well as the desire to break the “fourth wall” in modern productions.

24
Axes
Features
1.2
0.000

In contrast, thrust stages, like the one in the Globe, extend into the audience, making the experience more interactive and dynamic. This shift in design reflects the changing relationship between actors and spectators, as well as the desire to break the “fourth wall” in modern productions.

40
Axes
Features
1.1
0.000

While the Globe Theatre in London had a circular shape, many theaters around the world use a variety of designs to engage the audience. The Greek amphitheater, for instance, is designed with a semi-circular seating arrangement that allows for excellent acoustics, even without microphones.

30
Axes
Features
1.1
0.000

While the Globe Theatre in London had a circular shape, many theaters around the world use a variety of designs to engage the audience. The Greek amphitheater, for instance, is designed with a semi-circular seating arrangement that allows for excellent acoustics, even without microphones.

24
Axes
Features
1.2
0.000

While the Globe Theatre in London had a circular shape, many theaters around the world use a variety of designs to engage the audience. The Greek amphitheater, for instance, is designed with a semi-circular seating arrangement that allows for excellent acoustics, even without microphones.

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Character Map

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Bardamu: Reverse Contrast Slab Serif Family

Slab Serif

Reverse Contrast

Display Font

About

Bardamu is a variable slab serif font family of 25 fonts. Stylistically, Bardamu is open to interpretation, yet this ambiguity does little to hide its inherent friendliness and good vibes. Bardamu can easily be used in a variety of projects and feels at home both in graphic design, branding, web design, or editorial design. Its unique letterforms and eye-catching design choices make it the final touch that makes your brand pop. Bardamu features reverse contrast font across styles, adding to its idiosyncrasy and liveliness.

One of the standout qualities of Bardamu is its remarkable versatility. Bardamu comes in 25 styles, allowing users to choose a style that best fits their needs. In addition to that, it offers a wide range of styles, from sleek Reverse Italic font styles at -20° to elegant Upright styles, as well as standard 20° Italics. For static fonts, there are two extra subfamilies available (10° Half Italic and 10° Half Reverse) that can be used for creating more complex hierarchy in any text. With a total of 25 static fonts and 1 Variable Font, Bardamu is the perfect workhorse display font with unlimited typesetting capabilities. 

Bardamu takes flexibility to a whole new level with its incredible OpenType features that further enhance its versatility. With features such as Case-Sensitive Punctuation, Stylistic Alternates, Sub- and Superscript, Tabular Figures, and Localized Forms, you can fine-tune every detail of your design to perfection. Moreover, the multiple stylistic sets available in Bardamu allow you to switch between various versions of the same glyph effortlessly.

Publisher

Groteskly Yours Studio

Designers

Eugene Tantsurin, Anna Remm

Released

2023

Version

2.00

Styles

25 Fonts

Characters

700+

Languages

Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Koyraboro Senni, Koyra Chiini, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Tasawaq, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zarma, Zulu

OpenType

aalt, case, ccmp, dlig, dnom, frac, liga, lnum, locl, numr, onum, ordn, pnum, salt, sinf, ss01, ss02, ss03, ss04, ss05, ss10, ss11, subs, sups, tnum, zero, kern, mark, mkmk

Evgeny Tantsurin
PR Ostale Informacione
Tehnologije Beograd

1B Matice Srpske
Belgrade, Serbia
11160

© Groteskly Yours Studio

2025

Evgeny Tantsurin
PR Ostale Informacione
Tehnologije Beograd

1B Matice Srpske
Belgrade, Serbia
11160

© Groteskly Yours Studio

2025