Resist Sans Text

Swiss-Inspired Font Family

Resist Sans Text is a sans serif font family in 18 styles. Resist Sans Text is a dynamic neo-grotesque inspired by the classic Swiss font tradition; it embodies a neutral font aesthetic with a minimalist edge. Resist Sans Text incorporates deep inktrap font elements in its design, enhancing legibility in smaller sizes while maintaining a clean and professional font appearance. As part of Resist Sans family, it's designed for versatility in modern typesetting. Resist Sans Text serves as a functional and easy-to-read font family with a polished design that resonates with those seeking a workhorse type family for branding, web, and editorial design.

Resist Sans Text is a sans serif font family in 18 styles. Resist Sans Text is a dynamic neo-grotesque inspired by the classic Swiss font tradition; it embodies a neutral font aesthetic with a minimalist edge. Resist Sans Text incorporates deep inktrap font elements in its design, enhancing legibility in smaller sizes while maintaining a clean and professional font appearance. As part of Resist Sans family, it's designed for versatility in modern typesetting. Resist Sans Text serves as a functional and easy-to-read font family with a polished design that resonates with those seeking a workhorse type family for branding, web, and editorial design.

Resist Sans Text is a sans serif font family in 18 styles. Resist Sans Text is a dynamic neo-grotesque inspired by the classic Swiss font tradition; it embodies a neutral font aesthetic with a minimalist edge. Resist Sans Text incorporates deep inktrap font elements in its design, enhancing legibility in smaller sizes while maintaining a clean and professional font appearance. As part of Resist Sans family, it's designed for versatility in modern typesetting. Resist Sans Text serves as a functional and easy-to-read font family with a polished design that resonates with those seeking a workhorse type family for branding, web, and editorial design.

Font Family

Thin

Thin

Thin Italic

Thin Italic

ExLight

ExLight

ExLight Italic

ExLight Italic

Light

Light

Light Italic

Light Italic

Regular

Regular

Regular Italic

Regular Italic

Medium

Medium

Medium Italic

Medium Italic

SmBold

SmBold

SmBold Italic

SmBold Italic

Bold

Bold

Bold Italic

Bold Italic

ExBold

ExBold

ExBold Italic

ExBold Italic

Black

Black

Black Italic

Black Italic

Type Testers

223
Axes
Features
1.0
0.000

Transliterate

223
Axes
Features
1.0
0.000

Transliterate

223
Axes
Features
1.0
0.000

Transliterate

223
Axes
Features
1.0
0.000

Archaeology

223
Axes
Features
1.0
0.000

Archaeology

223
Axes
Features
1.0
0.000

Archaeology

223
Axes
Features
1.0
0.000

Caramelised

223
Axes
Features
1.0
0.000

Caramelised

223
Axes
Features
1.0
0.000

Caramelised

223
Axes
Features
1.0
0.000

Expectation

223
Axes
Features
1.0
0.000

Expectation

223
Axes
Features
1.0
0.000

Expectation

223
Axes
Features
1.0
0.000

Articulating

223
Axes
Features
1.0
0.000

Articulating

223
Axes
Features
1.0
0.000

Articulating

223
Axes
Features
1.0
0.000

Recurrently

223
Axes
Features
1.0
0.000

Recurrently

223
Axes
Features
1.0
0.000

Recurrently

223
Axes
Features
1.0
0.000

Educational

223
Axes
Features
1.0
0.000

Educational

223
Axes
Features
1.0
0.000

Educational

40
Axes
Features
1.1
0.000

The color wheel, developed by Isaac Newton in 1666, shows the relationships between primary, secondary, and tertiary colors. Primary colors—red, blue, and yellow—cannot be created by mixing other colors. Secondary colors, for example, green, orange, and purple, are made by combining two primary colors.

30
Axes
Features
1.1
0.000

The color wheel, developed by Isaac Newton in 1666, shows the relationships between primary, secondary, and tertiary colors. Primary colors—red, blue, and yellow—cannot be created by mixing other colors. Secondary colors, for example, green, orange, and purple, are made by combining two primary colors.

24
Axes
Features
1.2
0.000

The color wheel, developed by Isaac Newton in 1666, shows the relationships between primary, secondary, and tertiary colors. Primary colors—red, blue, and yellow—cannot be created by mixing other colors. Secondary colors, for example, green, orange, and purple, are made by combining two primary colors.

40
Axes
Features
1.1
0.000

Color harmony refers to the pleasing arrangement of colors in a design or artwork. One of the most popular ways to achieve harmony is through analogous colors, which are colors that are next to each other on the color wheel. For example, blue, blue-green, and green are analogous colors that work well together because they share similar hues.

30
Axes
Features
1.1
0.000

Color harmony refers to the pleasing arrangement of colors in a design or artwork. One of the most popular ways to achieve harmony is through analogous colors, which are colors that are next to each other on the color wheel. For example, blue, blue-green, and green are analogous colors that work well together because they share similar hues.

24
Axes
Features
1.2
0.000

Color harmony refers to the pleasing arrangement of colors in a design or artwork. One of the most popular ways to achieve harmony is through analogous colors, which are colors that are next to each other on the color wheel. For example, blue, blue-green, and green are analogous colors that work well together because they share similar hues.

40
Axes
Features
1.1
0.000

The RGB color space is used in devices like cameras, monitors, and scanners. In this system, colors are represented by the combination of varying amounts of red, green, and blue light. Since the human eye perceives a wide spectrum of visible colors, the RGB model allows for a dynamic representation of real-world colors.

30
Axes
Features
1.1
0.000

The RGB color space is used in devices like cameras, monitors, and scanners. In this system, colors are represented by the combination of varying amounts of red, green, and blue light. Since the human eye perceives a wide spectrum of visible colors, the RGB model allows for a dynamic representation of real-world colors.

24
Axes
Features
1.2
0.000

The RGB color space is used in devices like cameras, monitors, and scanners. In this system, colors are represented by the combination of varying amounts of red, green, and blue light. Since the human eye perceives a wide spectrum of visible colors, the RGB model allows for a dynamic representation of real-world colors.

Character Set

Font Information

Resist Sans Text is a modern professional font family that balances the innate desire for revolt and a tendency towards uniformity. Inspired by the iconic Swiss font tradition, it embodies a powerful font aesthetic and comfortable spacing. The typeface comes in 18 styles, each featuring over 900 characters, making it an indispensable tool for modern typographers.

One of the defining features of Resist Sans Text is its comprehensive multilingual capabilities. It supports most European and Latin languages and includes Extended Cyrillic for languages like Serbian, Bulgarian, Ukrainian, Macedonian, and Russian. Its deep inktraps add a subtle yet impactful aesthetic while enhancing its legibility and ensuring the typeface performs exceptionally well across diverse languages and point sizes.

With its contemporary design and functional versatility, Resist Sans Text is ideal for web interfaces, crafting dynamic social media content, or working on editorial layouts. Its balanced outlines and modern sensibility make it the perfect neo-grotesque font for professional digital and print applications.

Technical Info

Released

2020

2020

Version

5.00

5.00

Styles

18 Fonts

18 Fonts

Characters

900+

900+

Formats

.otf/.woff/.woff2

.otf/.woff/.woff2

Licenses

from

$35

Supported Languages

Languages

Languages

OpenType Features

OpenType

OpenType

Evgeny Tantsurin
PR Ostale Informacione
Tehnologije Beograd

1B Matice Srpske
Belgrade, Serbia
11160

© Groteskly Yours Studio

2025

Evgeny Tantsurin
PR Ostale Informacione
Tehnologije Beograd

1B Matice Srpske
Belgrade, Serbia
11160

© Groteskly Yours Studio

2025