Resist Display

Resist Display

Resist Display

Fonts from:

Families from:

€35

€190

Resist Sans Display

Resist Sans Display is a workhorse sans serif type family designed in the Swiss typographic tradition. Resist Sans Display features a clean, modern font aesthetic, functioning smoothly as both a headline and body text font. From eye-catching titles to impactful branding, Resist Sans Display brings clarity and sophistication to every design.

With its precise and legible letterforms, Resist Sans Display is a versatile and reliable tool for typographers and designers. The typeface features a crisp, neutral appearance, smooth terminals, and even rhythm in any point size. Its modern design makes it a go-to choice for print and digital applications, including advertising, editorial design, and web interfaces. Additionally, Resist Sans Display supports a wide range of European and Latin languages, along with Extended Cyrillic, making it an excellent choice for multilingual contexts. 

As part of the Resist Sans family, Resist Sans Display is a more refined and universal font family. Its toned-down modern design is particularly well-suited for applications where the typeface is intended to complement rather than overshadow the content. Resist Sans Display is an excellent choice for headlines, titles, and branding materials where subtle elegance and modernity are essential.

Styles

18 Fonts

Characters

900+

Released

2020

Updated

2025

Designers

Eugene Tantsurin, Anna Remm

Version

5.00

Supported Languages

Supported Languages

Supported Languages

OpenType Features

OpenType Features

OpenType Features

Resist Display
400
100

Type Family

Thin

Thin

Thin Italic

Thin Italic

ExtraLight

ExtraLight

ExtraLight Italic

ExtraLight Italic

Light

Light

Light Italic

Light Italic

Regular

Regular

Regular Italic

Regular Italic

Medium

Medium

Medium Italic

Medium Italic

SmBold

SmBold

SmBold Italic

SmBold Italic

Bold

Bold

Bold Italic

Bold Italic

ExBold

ExBold

ExBold Italic

ExBold Italic

Black

Black

Black Italic

Black Italic

Type Testers

223
Axes
Features
1.0
0.000

Unreflecting

223
Axes
Features
1.0
0.000

Unreflecting

223
Axes
Features
1.0
0.000

Unreflecting

223
Axes
Features
1.0
0.000

Republished

223
Axes
Features
1.0
0.000

Republished

223
Axes
Features
1.0
0.000

Republished

223
Axes
Features
1.0
0.000

Hypothesise

223
Axes
Features
1.0
0.000

Hypothesise

223
Axes
Features
1.0
0.000

Hypothesise

223
Axes
Features
1.0
0.000

Editorializes

223
Axes
Features
1.0
0.000

Editorializes

223
Axes
Features
1.0
0.000

Editorializes

223
Axes
Features
1.0
0.000

Straightway

223
Axes
Features
1.0
0.000

Straightway

223
Axes
Features
1.0
0.000

Straightway

223
Axes
Features
1.0
0.000

Northbound

223
Axes
Features
1.0
0.000

Northbound

223
Axes
Features
1.0
0.000

Northbound

223
Axes
Features
1.0
0.000

Lanarkshire

223
Axes
Features
1.0
0.000

Lanarkshire

223
Axes
Features
1.0
0.000

Lanarkshire

70
Axes
Features
1.1
0.000

Text that changes speed, direction, and form can amplify the emotion behind a message. [...] it is effective in multimedia and digital environments, where static text may fail to capture attention, while animation is capable of doing so.

24
Axes
Features
1.2
0.000

Text that changes speed, direction, and form can amplify the emotion behind a message. [...] it is effective in multimedia and digital environments, where static text may fail to capture attention, while animation is capable of doing so.

70
Axes
Features
1.1
0.000

By understanding and applying principles such as angular momentum, acceleration, and deceleration, designers can craft emotionally charged animations, thus enhances the storytelling of aspect of their personal digital work.

24
Axes
Features
1.2
0.000

By understanding and applying principles such as angular momentum, acceleration, and deceleration, designers can craft emotionally charged animations, thus enhances the storytelling of aspect of their personal digital work.

30
Axes
Features
1.1
0.000

Color theory investigates the relationships between hues, contrasts, and harmonies, providing a scientific framework for understanding visual perception and design. Central to the theory are principles such as the color wheel, complementary and analogous relationships, and the distinction between additive and subtractive color mixing. Additive color, based on light, combines red, green, and blue to produce white, while subtractive color, based on pigments, relies on cyan, magenta, and yellow to absorb and reflect wavelengths. Concepts like hue, saturation, and value allow precise description and manipulation of color, influencing depth, contrast, and emotional impact in visual compositions. Further studies [1] in optics and human vision explore phenomena such as simultaneous contrast, afterimages, and color constancy, demonstrating that perception depends not only on wavelength but also on context and interaction with surrounding colors. By combining physics, physiology, and psychology, color theory provides a rigorous foundation for predicting how colors behave and how they are experienced in both natural and designed environments.

Glyph Map

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Font Formats

.otf

.woff

.woff2

License Terms

• All licenses are perpetual.
• Full Family includes all styles plus the Variable Font.
• A license is required for personal and commercial use.

Help & Support

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